La relation humain-nature : une lecture écocritique décoloniale du clip « Mundo Líquido » de la brésilienne Maria Gadú

Abstract

This article aims to analyse – from an eco-critical perspective (Buell 1995; Glotfelty 1996; Garrard 2004) – how the human-nature relationship is represented in the clip of the song "Mundo Líquido", by the Brazilian composer Maria Gadú. The analysis concentrates on the ethos of reconciliation with Nature which goes beyond a simple return to the ‘wild paradise’ and intends to highlight the decolonizing posture of the song. The analysis is theoretically inspired by the Latin American decolonial thought, especially by Quijano (2014).